AES Europe Spring 2022 has ended

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AES Europe Spring 2022

Schedule as of May 16, 2022 - subject to change

Default Time Zone is CEST - Central European Summer Time
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LIVESTREAMS : A and B

ON DEMAND VIDEOS (previous days)

16:00 CEST

Amare Tour The Amare

18:00 CEST

Social Event TBD

10:00 CEST

The chicken and egg immersive audio issue Studio 1Tom Ammermann

10:30 CEST

The use of moving average in sound level measurements Studio 4Marcel Kok

11:30 CEST

Opening Ceremony Conservatoriumzaal

12:00 CEST

Keynote: Le poème électronique ConservatoriumzaalKees Tazelaar

14:00 CEST

The Inception Dilemma Revisited Studio 1Thomas Lund • Hyunkook Lee • Kimio Hamasaki Keeping the oldies but goodies sounding great: Acetate based tape preservation then and now Studio 4Brad McCoy • Nadja Wallaszkovits Student Master Class Immmersive Production Studio BTom Ammermann Bitrate Requirements for Opus with First, Second and Third Order Ambisonics LobbyEma Souza Blanes • Carlos Tejeda-Ocampo • Carren Zhongran Wang • Sunil G. Bharitkar Velocity-Contolled Parameter Switching for Echo Cancellation in Immersive Telepresence with Continuously Changing Microphone Positions LobbyMarcel Nophut • Stephan Preihs • Jürgen Peissig Twang! A physically derived synthesis model for the sound of a vibrating bar LobbyRod Selfridge • Lina Bengtsson • Bjarki Vidar Kristjánsson • Emelie Lindborg • Matilda Rydén • Hazar Tez • Josh Reiss Survey of User Perspectives on Headphone Technology LobbyMilap Rane • Dr. Philip Coleman • Dr. Russell Mason • Dr. Søren Bech A citizen science approach to support joint air quality and noise monitoring in urban areas LobbyMarina Eirini Stamatiadou • Nikolaos Vryzas • Lazaros Vrysis • Theodora Saridou • Charalampos Dimoulas Efficient neural networks for real-time modeling of analog dynamic range compression LobbyChristian Steinmetz • Joshua D. Reiss Latency and Quality‐of‐Experience Analysis of a Networked Music Performance Framework for Realistic Interaction LobbyRobert Hupke • Jan Dürre • Norbert Werner • Jürgen Peissig On Loudspeakers as Recording Devices LobbyTobias Roest • Jorge Martinez • Han Oosterom • Richard Hendriks Acoustic design review for the historical Aula Magna at the University of Parma based on measurement and simulation tools LobbyAngelo Farina • Antonella Bevilacqua • Adriano Farina

15:15 CEST

Art of Sound Studio Tour 1 TBABert Kraaijpoel

15:30 CEST

AES Student Mix Critiques Studio BIan Corbett Modern Equalization Techniques with Structural FX. An Eventide Partner Workshop Studio 4Peter McCulloch • Tom Longabaugh • Russell Wedelich Electroacoustic Perspectives on Immersive Audio ConservatoriumzaalAntal van Nie • Eelco Grimm Deep Learning for Audio Signal Processing Studio 1Gerard Schuller • Sascha Spors

16:15 CEST

Art of Sound Studio Tour 2 TBABert Kraaijpoel

17:15 CEST

Richard C. Heyser Memorial Lecture ConservatoriumzaalDiemer de Vries

18:30 CEST

Mixer Party Lobby

19:00 CEST

Student Party Grand Cafe de Tijd

10:00 CEST

Demo Wave Field Synthesis WFS StudioJi Youn Kang Considerations to building multi-dimensional objects for immersive experiences studio 2Agnieszka Roginska • Paul Geluso Operational Guidelines in using the MMAD 3D Audio Interformat Array for Sound Recording Studio 4Mike Williams Student Master Class Immmersive Production Studio BTom Ammermann Listening Environments - Understanding and Making Creative Audio Spaces, A Tutorial Studio 1Jamie Angus-Whiteoak

10:30 CEST

Advances in Thunder Sound Synthesis LobbyEva Fineberg • Jack Walters • Josh Reiss All-Pass Hilbert Filters LobbyJuan Sierra Controlling the Balance Between Early and Late Reflections of an Impulse Response Using the Modal Decomposition Paradigm LobbyPatxi Monedero • Michael Howard Ocean Wave Sound Synthesis and Perceptual Evaluation LobbyHazar Tez • Josh Reiss • Rod Selfridge Synthesis of Wind Instruments using BiLSTM and Gaussian Mixture Model LobbyYu-Wen Lee Moved By Sound: How head-tracked spatial audio affects autonomic emotional state and immersion-driven auditory orienting response in VR Environments LobbyRichard Warp • Michael Zhu • Ivana Kiprijanovska • Jonathan Wiesler • Scot Stafford • Ifigeneia Mavridou An open dataset of measured HRTFs perturbed by headphones LobbyRoman Schlieper • Stephan Preihs • Jürgen Peissig Disentangled estimation of reverberation parameters using temporal convolutional networks LobbyIordanis Thoidis • Nikolaos Vryzas • Lazaros Vrysis • Rigas Kotsakis • Charalampos Dimoulas On the Specification of Threshold Limits in Speech Transmission Index Assessment of Distributed Sound Systems LobbyDaniele Ponteggia Assessing the relevance of perceptually driven objective metrics in the presence of handling noise LobbyCéline Angonin • Emmanouil Theofanis Chourdakis • Ruben Åeng

11:30 CEST

Demo Wave Field Synthesis WFS StudioJi Youn Kang Directions of sounds in 3D audio productions studio 2Lasse Nipkow AES Student Mix Critiques Studio BIan Corbett Acoustics for budget studios - a master class Studio 1Ben Kok Genelec Partner Workshop: Enabling headphones for monitoring. Personal HRTF and the Genelec Aural ID Plug-In Studio 4Marcel Schechter

12:45 CEST

Art of Sound Studio Tour 3 TBABert Kraaijpoel Demo Wave Field Synthesis WFS StudioJi Youn Kang

14:00 CEST

Art of Sound Studio Tour 4 TBABert Kraaijpoel AES Student Mix Critiques Studio BIan Corbett Sound level weightings - practical applications Studio 4Boris Rehders • Marcel Kok • Javier Frutos-Bonilla On the Grid: Grid Controllers in Live Electronic Performance Studio 1Claire Marie Lim Materialization of fixed media music New Music LabSiamak Anvari Circular harmonic processing with an ad-hoc smartphone array for speech enhancement and spatial information retrieval LobbyVasileios Bountourakis • Nikolaos Vryzas • Charalampos Dimoulas MMAD 3D Audio– Designing for Height – Practical Configurations LobbyMike Williams Applause detection filter design for remote live-viewing with adaptive modeling filter LobbyKazuhiko Kawahara • Masahiro Karakawa • Akira Omoto • Yutaka Kamamoto Neural Synthesis of Footsteps Sound Effects with Generative Adversarial Networks LobbyMarco Comunità • Huy Phan • Josh Reiss Non-Ideal Operational Amplifier Emulation in Digital Model of Analog Distortion Effect Pedal LobbyEric Tarr • Timothy Leete • Doyuen Ko Application of the Multi-Objective Optimisation Framework to the Creation of Personal Sound Zones LobbyWilfried Gallian • Filippo Fazi Numerical and Experimental Analysis of a Metamaterial-based Acoustic Superlens LobbyLetizia Chisari • Enrico Ricciardi • Gianluca Memoli Storytelling principles in recording and mixing studio 2Wessel Oltheten Design and implementation of a flexible and low-budget acoustic treatment for a reference listening room LobbyPiotr Kleczkowski • Karol Czesak • Michał Kmiecik • Aleksandra Król Nowak • Teresa Makuch Design of a lightweight acoustical measurement room LobbyJuha Backman Time-Frequency Adaptive Room Optimization of Audio Signals LobbySamuel Maurer • Christof Faller Sensory Evaluation of Spatially Dynamic Audiovisual Sound Scenes – A Review LobbyPia Nancy Porysek Moreta • Søren Bech • Jan Østergaard • Steven Van De Par • Neo Kaplanis

15:15 CEST

Art of Sound Studio Tour 5 TBABert Kraaijpoel

15:30 CEST

Student Master Class Immmersive Production Studio BTom Ammermann JBL Innovations in Transducer and Cabinet Design: A Harman Partner Workshop Studio 4Steffan Lewis • Ben Todd What Gear Do You REALLY Need? Studio 1Paul Thompson • Wes Maebe • Doris Veldman • Ian Corbett

12:00 CEST

Daily Preview - May 16 - Stream A Stream A - OnlineOisin Lunny • Rafael Kassier • Katharina Pollack

12:15 CEST

Low Complexity Methods for Robust Stereo-to-Mono Down-mixing - Stream B Stream B - OnlinePallavi Maben • Christian Borß • Bernd Edler • Guillaume Fuchs Pretty Little Lines – Muruwari Sound Recordist, Inventor and Pioneer, Jimmie Barker - Stream A Stream A - OnlineRoy Barker • Samantha Bennett

12:40 CEST

Advances in Thunder Sound Synthesis - Stream B Stream B - OnlineEva Fineberg • Jack Walters • Josh Reiss

13:05 CEST

Efficient neural networks for real-time modeling of analog dynamic range compression - Stream B Stream B - OnlineChristian Steinmetz • Joshua D. Reiss

13:20 CEST

Evaluating hearing experiences and hearing technologies in everyday life with Ecological Momentary Assessment - Stream A Stream A - OnlineNadja Schinkel-Bielefeld

13:30 CEST

Neural Synthesis of Footsteps Sound Effects with Generative Adversarial Networks - Stream B Stream B - OnlineMarco Comunità • Huy Phan • Josh Reiss

13:55 CEST

“We’ll Feel That in Post”: Altering Emotional Perception with Different Piano Presentations in the Context of Lyrics - Stream B Stream B - OnlineNathan Cann

14:20 CEST

Applause detection filter design for remote live-viewing with adaptive modeling filter - Stream B Stream B - OnlineKazuhiko Kawahara • Yutaka Kamamoto • Masahiro Karakawa • Akira Omoto

14:25 CEST

Why Does Anyone Still Invest in Analog Equipment? - Stream A Stream A - OnlineDaniel Dettwiler

14:50 CEST

Conversational Speech Separation: an Evaluation Study for Streaming Applications - Stream B Stream B - OnlineGiovanni Morrone • Samuele Cornell • Enrico Zovato • Alessio Brutti • Stefano Squartini

15:15 CEST

The next generation of audio accessibility - Stream B Stream B - OnlineIain McClenaghan • Lawrence Pardoe • Lauren Ward

15:30 CEST

JBL Innovations in Transducer and Cabinet Design: A Harman Partner Workshop - Stream A Stream A - OnlineSteffan Lewis • Ben Todd

15:40 CEST

Study of the audibility of background music in TV programs: towards a normative proposal - Stream B Stream B - OnlineJose J. Lopez • Suso Ramallo

16:05 CEST

Watching on the Small Screen: The Relationship Between the Perception of Audio and Video Resolutions - Stream B Stream B - OnlineNicholas Bartel • Song Hui CHON

16:35 CEST

Influence of the spider on loudspeaker thermal behavior: a predictive model based on lumped parameters - Stream B Stream B - OnlineGrazia Spatafora • Luca Villa • Chiara Corsini • Davide Mele • Romolo Toppi Immersive Audio Tools for Beginners - Stream A Stream A - OnlineMarcela Rada

17:00 CEST

On Loudspeakers as Recording Devices - Stream B Stream B - OnlineTobias Roest • Jorge Martinez • Han Oosterom • Richard Hendriks

17:25 CEST

Multi-diaphragm Micro-speaker vs. Single-diaphragm Micro-speaker - Stream B Stream B - OnlineWendy Chen • George Wei • Tony Xie

17:40 CEST

The potential and limitations of audio wearables - Stream A Stream A - OnlineThomas Gmeiner • Aili Niimura • Amy LeMeyer • Jan Abildgaard Pedersen • Matthew Neutra • Pauli Minnaar

18:15 CEST

Designing sound system in‑band headroom based on expected difference between C‑ and A‑weighted levels - Stream B Stream B - OnlineMerlijn van Veen • Roger W. Schwenke • Bob McCarthy

18:45 CEST

Mixing for in-ear monitors: understanding the work of monitor mixing engineers - Stream B Stream B - OnlineJan Berg • Tomas Johannesson • Arne Nykanen Professional Mic'ing Workshop - Stream A Stream A - OnlineDarrell Thorp • J.J. Blair • Joey Waronker • Joe Zook • Brandon Bell

19:10 CEST

Dynamic Range Controller Ear Training: Transfer of Learned Skills to a Related Task - Stream B Stream B - OnlineDenis Martin • George Massenburg • Richard King

19:35 CEST

The Inaudible World: Measuring Sounds Perceived by Non-Human Life - Stream B Stream B - OnlineChristina Milinusic

20:00 CEST

Eric Tarr: Create a plug-in simulating an analog circuit using the Point-to-Point Modeling Library - Stream A Stream A - OnlineEric Tarr AES Student Recording Competitions Final Presentations: Traditional Acoustic Recording Student Recording CompetitionMiles Fulwider

12:00 CEST

Daily Preview - May 17- Stream A Stream A - OnlineOisin Lunny • Katharina Pollack

12:15 CEST

Comparison of Stereo Microphone Configuration and Playback Modes of Optimal Source Distribution Technique - Stream B Stream B - OnlineAtsushi Marui • Motoki Yairi • Tsuguto Hoshino • Toru Kamekawa Audio file sharing, Metadata, and Credits in an audio engineers workflow - Stream A Stream A - OnlineLiam McMellon • Carlotta de Ninni • Chris Cooke • Eve Horne

12:40 CEST

Perceptual optimization of hybrid stereo width control method compared with loudspeakers reproduction - Stream B Stream B - OnlineMitsunori Mizumachi • Yui Ueno • Toshiharu Horiuchi

13:05 CEST

MMAD 3D Audio– Designing for Height – Practical Configurations - Stream B Stream B - OnlineMike Williams

13:30 CEST

Controlling the Balance Between Early and Late Reflections of an Impulse Response Using the Modal Decomposition Paradigm - Stream B Stream B - OnlinePatxi Monedero • Michael Howard

13:35 CEST

Machines on Stage: Approaches to Performing Electronic Music - Stream A Stream A - OnlineKirsten Hermes

13:55 CEST

Numerical and Experimental Analysis of a Metamaterial-based Acoustic Superlens - Stream B Stream B - OnlineLetizia Chisari • Enrico Ricciardi • Gianluca Memoli

14:25 CEST

Degradation in reproduction accuracy due to sound scattered by listener's head in local sound field synthesis - Stream B Stream B - OnlineIzumi Tsunokuni • Yusuke Ikeda

14:40 CEST

Sonoris Partner Workshop - Stream A Stream A - Online

14:50 CEST

Ambisonic Decoder Test Methodologies based on Loudspeaker Reproduction - Stream B Stream B - OnlineEnda Bates • William David • Daniel Dempsey

15:15 CEST

Reduction of 3D Ambisonic to 2D using plane-wave decomposition - Stream B Stream B - OnlineThibaut Carpentier Audio Archiving and Restoration - A Special Focus on Collections Recorded on Analogue Discs- Stream A Stream A - OnlineBrad McCoy • Nadja Wallaszkovits • Ilse Assmann • Jessica Thompson • Rob Allingham

15:40 CEST

UP-WGAN: Upscaling Ambisonic Sound Scenes Using Wasserstein Generative Adversarial Networks - Stream B Stream B - OnlineYiwen Wang • Xihong Wu • Tianshu Qu

16:05 CEST

Overview of Evaluation Methods of Sound Field Reproduction Systems - Stream B Stream B - OnlineDamian Koszewski • Pawel Trella • Jan Banas • Piotr Klinke • Pawel Pach • Michal Grzywa • Ryszard Jezierski • Przemyslaw Maziewski • Dominik Stanczak • Maciej Kuklinowski

16:35 CEST

Geometrical Acoustics Approach to Cross Talk Cancellation - Stream B Stream B - OnlineAlberto Vancheri • Tiziano Leidi • Thierry Heeb • Loris Grossi • Noah Spagnoli • Daniel Weiss Post-production workflows in Nuendo 12: A Steinberg Partner Workshop - Stream A Stream A - OnlineAldo Lamanna

17:00 CEST

The Performance of A Personal Sound Zone System with Generic and Individualized Binaural Room Transfer Functions - Stream B Stream B - OnlineYue Qiao • Edgar Choueiri

17:10 CEST

Papers to Productization for Machine Learning in Audio - Stream A Stream A - OnlineShahan Nercessian • Keith McElveen • Estefanía Cano • Jesse Engel • Delia Beatriz

17:25 CEST

Survey of User Perspectives on Headphone Technology - Stream B Stream B - OnlineMilap Rane • Dr. Philip Coleman • Dr. Russell Mason • Dr. Søren Bech

17:50 CEST

Overall listening experience for binaurally reproduced audio - Stream B Stream B - OnlineGeorge Moiragias • Konstantza Economou • John Mourjopoulos

18:15 CEST

Developing a Binaural Renderer for Audio Definition Model Content - Stream B Stream B - OnlineThomas Nixon • Andreas Franck • Chris Pike • Galen Reich

18:45 CEST

On the use of integral input devices and relative mappings for an immersive audio mixing task. Part I. - Stream B Stream B - OnlineDiego Quiroz • Denis Martin Jumping into NFTs and the Metaverse: A True Experience - Stream A Stream A - OnlineElijah Walsh • Carmilla Sumantry • Orban Isma • White Lights

19:10 CEST

Recording Arts and Studio Engineering for High-fidelity Multitrack Network Music Production - Stream B Stream B - OnlineJiayue Cecilia Wu • Scott Miller

20:00 CEST

AES Diversity Equity And Inclusion - After Hours Meet and Greet TBAJiayue Cecilia Wu • Mary Mazurek AES Student Recording Competitions Final Presentations: Traditional Studio Recording Student Recording CompetitionMiles Fulwider

12:00 CEST

Daily Preview - May 18- Stream A Stream A - OnlineOisin Lunny • Katharina Pollack

12:15 CEST

Comparison of Audio Quality of Teleconferencing Applications Using Subjective Test - Stream B Stream B - OnlineAvelia Fairuz Faadhilah • Ikhwana Elfitri Microphones Techniques for Natural Music Recording - Stream A Stream A - OnlineKimio Hamasaki

12:40 CEST

Spatially Dynamic Sound Quality Evaluation: A Literature Study - Stream B Stream B - OnlineJuan Gil • Søren Bech • Flemming Christensen

13:05 CEST

Plausibility of an approaching motion towards a virtual sound source II: In a reverberant seminar room - Stream B Stream B - OnlineAnnika Neidhardt • Samaneh Kamandi

13:20 CEST

MMAD – An On-Line Experiment in Microphone Array Design Compatibility - Stream A Stream A - OnlineMike Williams

13:30 CEST

Temporal Evaluation of Sound Quality using TCATA - Stream B Stream B - OnlineJuan Gil • Søren Bech • Flemming Christensen

13:55 CEST

Localization of auditory events in scenarios with lateral, projected sound sources and frontal, attenuated direct sound - Stream B Stream B - OnlineJohannes Männer • Hanne Stenzel • Andreas Walther • Frank Melchior

14:25 CEST

Richard C. Heyser Memorial Lecture - Stream A Stream A - OnlineDiemer de Vries

15:30 CEST

Paper Award Ceremony - Stream B Stream B - Online Genelec Partner Workshop: Enabling headphones for monitoring. Personal HRTF and the Genelec Aural ID Plug-In - Stream A Stream A - OnlineAki Mäkivirta

16:10 CEST

Localization of Direct Source and Early Reflections Using HOA Processing and DNN Model - Stream B Stream B - OnlineShan Gao • Xihong Wu • Tianshu Qu

16:35 CEST

Effect of spatial audio processing on attention redirection and speech intelligibility in multi-talker communication - Stream B Stream B - OnlineEric Growney • Agnieszka Roginska Automotive Audio - Tuning a Car - Stream A Stream A - OnlineHope Sheffield

17:00 CEST

An Improved Approach for Binaural Room Impulse Responses Interpolation in Real Environments - Stream B Stream B - OnlineValeria Bruschi • Stefano Nobili • Alessandro Terenzi • Stefania Cecchi

17:25 CEST

An End-to-End Binaural Sound Localization Model Based on the Equalization and Cancellation Theory - Stream B Stream B - OnlineTao Song • Wenwen Zhang • Jing Chen The Virtual Instrument Panel! - Stream A Stream A - OnlineShelley Katz • Tawnia Knox • Paul Thomson • Doug Rogers • Sam Estes • Eva Fineberg

17:50 CEST

Acquisition of Continuous-Distance Near-field Head-Related Transfer Functions on KEMAR Using Adaptive Filtering - Stream B Stream B - OnlineYuqing Li • Stephan Preihs • Jürgen Peissig

18:15 CEST

Virtual Studio Production Tools with Personalized Head Related Transfer Functions for Mixing and Monitoring Dolby Atmos and Multichannel Sound - Stream B Stream B - OnlineKaushik Sunder • Kapil Jain

18:45 CEST

All-Pass Hilbert Filters - Stream B Stream B - OnlineJuan Sierra

19:00 CEST

Production as Research and Development - Stream A Stream A - OnlineRébecca Kleinberger • Dr. Benjamin Bloomberg • Dr. Charles Holbrow • Nikhil Singh

19:10 CEST

Phase Mitigation Through Filter Design - Stream B Stream B - OnlineSean Bailey

19:30 CEST

Non-Ideal Operational Amplifier Emulation in Digital Model of Analog Distortion Effect Pedal - Stream B Stream B - OnlineTimothy Leete • Eric Tarr • Doyuen Ko

20:00 CEST

The Musical Art of Mixing with Prince Charles Alexander - Stream A Stream A - OnlinePrince Charles Alexander AES Student Recording Competitions Final Presentations: Modern Studio Recording & Electronic Music Student Recording CompetitionMiles Fulwider

12:00 CEST

Daily Preview - May 19- Stream A Stream A - OnlineOisin Lunny • Katharina Pollack

12:15 CEST

Towards the Global Standard for Safe Listening Venues and Events - Stream B Stream B - OnlineJohannes Mulder • Adam Hill • Marcel Kok • Jonathan Burton • Michael Lawrence What’s the next step towards advanced 3D audio recording? - Stream A Stream A - OnlineKimio Hamasaki • Misaki Hasuo • Toru Kamekawa • Hideo Irimajiri • Kazuya Nagae

12:40 CEST

Time-Frequency Adaptive Room Optimization of Audio Signals - Stream B Stream B - OnlineSamuel Maurer • Christof Faller

13:05 CEST

Design and implementation of a flexible and low-budget acoustic treatment for a reference listening room - Stream B Stream B - OnlinePiotr Kleczkowski • Karol Czesak • Michał Kmiecik • Aleksandra Król Nowak • Teresa Makuch

13:30 CEST

Design of a lightweight acoustical measurement room - Stream B Stream B - OnlineJuha Backman

13:50 CEST

AES75 Explanation Tutorial - Stream A Stream A - OnlineMerlijn van Veen

14:40 CEST

Moved By Sound: How head-tracked spatial audio affects autonomic emotional state and immersion-driven auditory orienting response in VR Environments - Stream B Stream B - OnlineRichard Warp • Michael Zhu • Ivana Kiprijanovska • Jonathan Wiesler • Scot Stafford • Ifigeneia Mavridou AES75 Panel Discussion - Stream A Stream A - OnlineMerlijn van Veen • Jim Meyer • Bennett Prescott • Charlie Hughes • James Anderson • Brian Long

15:05 CEST

Spatial extrapolation of early room impulse responses with source radiation model based on equivalent source method - Stream B Stream B - OnlineIzumi Tsunokuni • Haruka Matsuhashi • Yusuke Ikeda

15:30 CEST

Discriminability of concurrent virtual and real sound sources in an augmented audio scenario - Stream B Stream B - OnlineChristian Schneiderwind • Annika Neidhardt Practical Cloud Archive with IMES (Iron Mountain Entertainment Services) - Stream A Stream A - OnlineDenis Leconte • Rodrigo Coelho Ferreira

15:55 CEST

Capturing Spatial Room Information for Reproduction in XR Listening Environments - Stream B Stream B - OnlineMichael Matsakis • Parichat Songmuang • Kathleen Zhang

16:20 CEST

A dataset of measured spatial room impulse responses in different rooms including visualization - Stream B Stream B - OnlineFlorian Klein • Tatiana Surdu • Arthur Aretz • Kilian Birth • Niklas Edelmann • Florian Seitelmann • Christian Ziener • Stephan Werner • Thomas Sporer

16:35 CEST

Internet of Sounds: past, now, and future - Stream A Stream A - OnlineJiayue Cecilia Wu • Miller Puckette • Scott Deal • Chris Chafe • Sarah Weaver • Chuiyuan Meng

16:50 CEST

Multi-Input Architecture and Disentangled Representation Learning for Multi-Dimensional Modeling of Music Similarity - Stream B Stream B - OnlineSebastian Ribecky • Jakob Abeßer • Hanna Lukashevich

17:15 CEST

MP3 compression classification through audio analysis statistics - Stream B Stream B - OnlineJamie McFarlane • Bharathi Chakravarthi

17:40 CEST

Classifying Sounds in Polyphonic Urban Sound Scenes - Stream B Stream B - OnlineJakob Abeßer

17:55 CEST

The Art of Cutting a Vinyl Master - Stream A Stream A - OnlineMargaret K. Luthar • Jett Galindo

18:10 CEST

Spectral and spatial perceptions of comb-filtering for sound reinforcement applications - Stream B Stream B - OnlineSamuel Moulin • Etienne Corteel

18:35 CEST

Production Approaches, Loudspeaker Configurations, and Signal Processing Architectures for Live Virtual Acoustic Performance - Stream B Stream B - OnlineHassan Estakhrian • Jonathan Abel

19:00 CEST

Simulation-Based Acoustic Design for a Modern Urban Church Sanctuary - Stream B Stream B - OnlineBraxton Boren • Patrick Judy • Andy Morgan Hot Topics in Audio Licensing - Stream A Stream A - OnlinePhilipp Lengeling • Heather Rafter • Francine Godrich

19:25 CEST

Integrated Architectural and Acoustical Design of Media Recording Studios - Stream B Stream B - OnlineKeely Siebein • Gary Siebein • Marylin Roa • Jennifer Miller • Matthew Vetterick • Gary Siebein Jr.

20:00 CEST

AES Student Recording Competitions Final Presentations: Sound for Visual Media Student Recording CompetitionMiles Fulwider